All the above thumbnails were drawn from the shapes from the first hand done wallpaper, except for the first one which was drawn from Samuel Monnier's work and the Doolittle album cover.
Testing out different possibilities, drawing from the second thumbnail sketch above.
Broke apart the shape from the second thumbnail sketch and ended up with the above shapes.
Introducing colour themes and geometrics. I aimed to contrast the sharpness of the first two with the roundness of the second two, and also I wanted to contrast the solidity of the middle ones with the movement of the outer ones.
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